2003 Awards Banquet

• The Watercolor USA Honor Society will endeavor to cultivate and promote an interest in watercolor painting through Watercolor USA, an annual competitive exhibition sponsored by the Springfield Art Museum, Springfield, Missouri. WHS members will encourage and support every artist’s efforts to gain prominence and a significant voice through the prestigious venue of Watercolor USA.
  
  
• The Watercolor USA Honor Society’s purpose will be to focus national attention on the Springfield Art Museum, Missouri, as a repository for conserving, preserving, and collecting watercolor painting. The Museum’s permanent collection will provide the ultimate perspective on watercolor paintings from the twentieth century and beyond.
  
  
• The Watercolor USA Honor Society will be devoted to strengthening and enlarging the Museum’s collection of contemporary watercolor painting. Through the solicitation of gifts to the collection and by direct purchases of significant works of art, WHS will partner Springfield Art Museum, Missouri, as it builds the most formidable collection of contemporary watermedia painting in existence.
  
  
• The Watercolor USA Honor Society will recognize and honor the individual artists who have either won awards in Watercolor USA or have served as jurors for the exhibition. WHS will acknowledge outstanding and continuous contribution to the field of aquamedia painting.
  
  
• The Watercolor USA Honor Society members will commit to be educational leaders for the advancement of the medium of watercolor by contributing their time and efforts both as members of WHS and as individual ambassadors to champion the advancement of watercolor painting. WHS members will share the goal of providing educational experiences for the benefit of the members of the Society and for the general public through exhibitions, demonstrations, lectures, workshops, and symposia. Educational support for the future of watercolor painting with an energetic exchange of knowledge will be ongoing and ever evolving.

History of The Watercolor USA Honor Society

The Springfield Art Museum, Missouri, has the unique and distinguished reputation for being the birthplace of two watershed events in the history of art in the United States. The first milestone took place in 1962 when Watercolor USA was conceived and organized as a major national competitive exhibition to be sponsored annually by the Museum. The second occurred in 1985 when the Museum encouraged and supported the inception of The Watercolor USA Honor Society, a new national watercolor society born from the award winners and jurors participating in the Watercolor USA exhibitions. The history of these two important intertwined creations unfolded as follows.

The competition show was part of the historical evolution of post World War II American art. Thousands of young Americans were allowed the luxury of trying their hand at the arts via the GI Bill. As they graduated from their universities, these freshly minted artists wanted to show the product of their newly acquired skills. The number of art shows with quality jurors that would comprise a creative track record resume was very important to young artists seeking to gain employment in the university system and for making gallery contacts in the nineteen sixties. Only a handful of major competition shows were in existence at that time and these exhibitions could only display a couple of hundred pieces of art a year. Consequently, small art groups and universities with exhibition space started to sponsor annual competition exhibits.

Few exhibits specifically focused on watercolor at the time of Watercolor USA’s inauguration. Many exhibit sponsors considered watercolors to be somewhat lesser in importance than oil paintings. In 1962 Kenneth L. Shuck, Springfield Art Museum’s second director, had the foresight and courage to establish Watercolor USA as a yearly competitive event to showcase American artists working in watercolor. The Springfield Art Museum was not seeking to be a tastemaker; rather it would seek each year to unveil an active cross section of the very best that was being created in watercolor painting in the United States. With the encouragement of Mario Cooper, American Watercolor Society President, along with the support of the Museum staff and Board including Bob Johnson, Curator of Education, Kenneth Shuck saw the opportunity for his Museum to explicitly devote itself to advancing watercolor painting and seized it. Watercolor USA was soon catapulted into national prominence.

Over the intervening years following Watercolor USA’s birth, there was a glut of art shows. The scene started to take on an almost art lottery complexion. During those years, the unforgiving aspect of the medium of watercolor in terms of necessity of skill and control required to complete a successful work was grasped. Many of the most famous artists included watercolor paintings in their achievements. By the mid nineteen seventies the art boom artists who had been regular contributors to Watercolor USA had become well established in academia and/or commercial galleries and had no further need to compete with emerging talent. The Springfield Art Museum, Missouri, understood that it could not attain its objective to highlight watercolor painting on its efforts alone. The participation and support of artists would be essential to Watercolor USA’s continued success. In 1976 Bill Landwehr was selected to be the new Museum Director and he decided to invite a number of established artists to participate in the annual show thereby insuring quality Watercolor USA exhibitions. Landwehr was responsible for further promoting watercolor painting by touring Watercolor USA competitive exhibitions within the United States and for two exhibitions of watercolors from the Museum’s permanent collection traveling to Taiwan and France.

Initially, several jurors selected the works to be included in the annual Watercolor USA exhibition. Since 1984 a single judge has determined which paintings would be included in the Watercolor USA competition as well as designating the award winners. Public response and patronage for the Watercolor USA artists was fervent. The Museum Board, staff, visitors, individual, and corporate patrons accorded the Watercolor USA artists the respect and admiration they deserved for their inventive originality and enthusiastically selected paintings from Watercolor USA to go into their own private collections. The Museum’s Director and Curator of Collections purchased watercolor paintings from each annual Watercolor USA exhibition for the Springfield Art Museum’s permanent collection. Soon the Museum realized that they had acquired the beginnings of a major collection of American watercolor paintings produced in the last half of the twentieth century. The Museum believed their formidable contemporary American watercolor collection would be of historical significance regardless of how the accomplishments of artists working in watermedia were graded by future historians.

Bill Armstrong talked with artists from around the country who had been a part of the early years of Watercolor USA. They all agreed that the show had been very important to their success and they wanted to be involved in doing something to insure its continuation. In 1985 with that goal in mind and with the 25th anniversary of the Watercolor USA exhibition at the Museum coming up, Bill Armstrong approached Bill Landwehr, the Museum’s director, and Bob Johnson, the Museum’s Curator of Education, who had been on staff when Watercolor USA was conceived twenty five years earlier. The Springfield Art Museum’s Board was presented with the idea of having an invitational watercolor exhibit that would be more than just a fashion show of current art trends. The idea of organizing a society to recognize jurors and to honor the widespread talents of artists working in the kinetic medium of watercolor was discussed. Once again the Museum Board made a bold decision and authorized Bill Armstrong to pursue his vision.

Well aware that the country really didn’t need another watercolor society with two national plus some 250 regional and state societies already in existence, Bill Armstrong knew there was something novel about the new national watercolor society he was beginning to build. This society had a museum, one that was serious about American watercolor. The dream of The Watercolor USA Honor Society as an independently governed, not for profit organization was brought into existence with the formation of its Articles of Incorporation signed on October 7, 1985, by Bill Armstrong, Bob Johnson, and Bill Senter. The Watercolor USA Honor Society was established with the intention to cultivate watercolor painting through the Watercolor USA exhibition and to make contact with all those artists who had contributed to the success of the exhibition. Recognizing that the Springfield Art Museum’s holdings were the nucleus of a historically significant collection of American watercolor paintings, a chief goal of the organization would be to focus attention on and to help expand the Springfield Art Museum’s permanent collection. Watercolor USA was to become the competitive show that would keep on giving by yearly producing signature members to The Watercolor USA Honor Society.

The Watercolor USA Honor Society would pay tribute to those people most responsible for making Watercolor USA a success by offering membership with the signature WHS to acknowledge those gifted individuals who had served as its jurors and the participating artists who had received the jurors’ awards. The response by those eligible to become members was excellent. One hundred and seventy five artists out of some three hundred that were eligible responded to the first membership drive. The new members were located very well geographically, and the news was spreading fast about the exciting, prestigious, newly formed WHS. The Watercolor USA Honor Society was launched.

The first move of The Watercolor USA Honor Society was to hold a symposium in Spring Green, Wisconsin, to find out who the members were, what WHS was about, and what the organization might be capable of. The first meeting was held in the Aldebaran barn adjacent to Frank Lloyd Wright’s hillside school at Taliesin East. The trailblazers present were Bill Armstrong and Bill Landwehr as co-chairmen, Lee Weiss, Bob Johnson, Bill Senter, Francis Meisch, Judy Gard, Edward Betts, Jim Foosey, Fred Messersmith, Jerry Baum, E.J. Velardi, Carl Sublett, Rosalee Price, Merry Berry, Judi Betts, Rich Clubb, Edward Herbleck, and Doris White. The first Directors elected from the fledgling Watercolor USA Honor Society were Bill Armstrong, the first President; Lee Weiss, Vice-President; Bob Johnson, Secretary; and Bill Senter, Treasurer.

Subsequent to the Taliesin meeting, new President Bill Armstrong harnessed the energy and directed the passion and imaginative ideas that rushed forth, all the while constantly keeping the ambitious WHS members focused on the purpose and goals of The Watercolor USA Honor Society. A conference in San Diego was called to plan WHS’s first exhibit titled Watercolor Now! to be held November 1 – December 27, 1987, at the Springfield Art Museum, Missouri. Bill Armstrong organized the exhibit and produced the graphics. The WHS exhibit was unprecedented because artists made their own choices for the exhibition. There was no jury of selection. The debut exhibit itself was an excellent cross-section of watercolor paintings being produced in America. The exhibit was peculiarly American and quite often regionalist. It was charmingly intimate and very human. The exhibit showed that more than any other print or painting media, the oeuvre of the American aquarellist echoed the concerns and innovations of folk, pop, and jazz musicians. Instead of using the traditional printed format, a pioneering project of a “video catalog” was produced of the first Watercolor Now! exhibit. Geared for an audience of teachers and artists, the video was the best awareness tool for watercolor painting. The video was distributed nationally for education on the diversity of watercolor skills and techniques and to instill intense interest in painting in watermedia. The video served as well as advertisement to inspire artists to submit their paintings to Watercolor USA in hopes of receiving a Juror’s Award, and, thereby, an invitation to join WHS. A traveling exhibit was selected from the first exhibit and a purchase picked for the permanent collection. The Watercolor USA Honor Society Purchase Award for the Collection of the Springfield Art Museum was instituted for the Watercolor USA exhibition. Kirk Pedersen of Kearny, Nebraska, was the first recipient. The mission of WHS had begun.

Since it’s inception, Watercolor USA has grown in size, importance and popularity. For more than four decades, Springfield Art Museum, Missouri, has celebrated the finest examples of aqueous media being conceived in this country in its annual Watercolor USA exhibition. Watercolor USA enjoys renown for being the most significant exhibit to view for paintings by outstanding contemporary artists from across the nation. It is the resolve and commitment of the Springfield Art Museum, Missouri, under the leadership of Jerry Berger, its current Director, to champion creation of works in aqueous media to further enhance the annual Watercolor USA exhibition. Seeing the astounding artistic achievements each year is a humbling experience and gives tremendous gratification to those who carry forth with the Museum’s design to bring excellent visual arts opportunities to the community of Springfield, Missouri, to the nation, as well as internationally. The recognition of the considerable talents of the aquarelle artists has many rewards and its jurors and juror award winners are invited to join The Watercolor USA Honor Society. The Watercolor USA Honor Society’s intent is huge, and its tradition of quality and recognition of excellence in watermedia painting is unparalleled. By focusing national attention on Springfield Art Museum, Missouri, as a major repository for conserving, preserving, and collecting watercolor art, the aim of the Museum and WHS will endure to benefit both artists and the public. As it continues to grow, the Museum’s collection will provide the ultimate perspective on watercolor painting in the latter half of the twentieth century and beyond. In a nutshell this is the fascinating journey of how a historical legacy developed at the Springfield Art Museum, Missouri, birthplace of a national competitive exhibition called Watercolor USA, and where its offspring, The Watercolor USA Honor Society, was created.